Tuesday, 26 March 2013

Women in "Othello"

The women in Othello atomic number 18 express, but frustratingly unable to save themselves from the inhuman treatment of men

In the seventeenth century, men in baseball club dominated women. Women were kept by their fathers and then by their husbands, who expect them to be obedient childbearing objects. It is therefore unsurprising that in Othello, Shakespeare presents three women who are all, in one way or another, subjected to the cruelty of men.
Desdemona, wife to Othello, is typically interpreted as a guiltless, virtuous and obedient woman who is smacked in public, and murdered for no real reason by her jealous husband:
A guiltless death I die
As Desdemona speaks her net lines, she says that she has died an innocent woman, and does not censure her husband for killing her, declaring it a wretched fortune. It is no surprise that Lisa Jardine referred to Desdemona as the crease Jacobean character, Griselda: Glorious in her resignation in the verbalism of husbandly chastisement. Desdemona even says to the audience, Let nobody blame [Othello], his scorn I approve. It is possible that the women in Othello are articulate but unable to save themselves, because of their obedient personality to their husbands or lovers, in Biancas case.
Despite this, Loomba wrote that Desdemona is too discerning and too understanding.

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Shakespeare might be saying that articulate women and womanish independence are futile and it is for that reason she essential die. It is also interesting to note that Desdemona dies by suffocation, which reflects the silencing of an articulate female voice.
In the scene following the journey to Cyprus, Desdemona and Othellos ensign, Iago, consider a debate about the role of women. In the debatable dispute, Desdemona manages to put Iago in his place and with wit and intelligence, outsmart the compute and duplicitous villain of this play:
O, most lame and sterile conclusion. Do not learn from [Iago], Emilia, though he be your husband.
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