Twelfth Night - Analysis of Fools

A turn in can be defined in many a(prenominal) blottoings according to the

Oxford English Dictionary On Historical Principles. The account book

could mean a silly person, or one who professingally

counterfeits madness for the entertainment of others, a mark,

clown or one who has little or no reason or intellect or

one who is do to appear to be a blackjack (word originated from

North Frisian). In face literature, the two main ways which

the fool could enter creative literature is that He could

provide a topic, a theme for mediation, or he could turn into a

stock character on the stage, a stylized comic figure. In

William Shakespeares comedy, Twelfth Night, Feste the clown is

not the only fool who is subject to foolery. He and many other

characters combine their silly acts and wits to invade other

characters that evade reality or rather hold a dream, while

our sympathies go out to those. It is natural that the fool

should be a prominent & ampere; attractive figure and stimulate an important

contribution to the action in forming the confusion and the

humor in an Elizabethan drama. In Twelfth Night, the clown and

the fools are the ones who combine humor & wit to make the comedy

work.

Clowns, jesters, and Buffoons are usually regarded as fools.

Their differences could be of how they dress, act or portrayed in

society. A clown for example, was silent to be a country

bumpkin or cloun. In Elizabethan usage, the word clown is

ambiguous gist both countryman and principal comedian.

Another meaning given to it in the 1600 is a fool or jester.

As for a buffoon, it is defined as a man whose profession is to

make low jests and antics postures; a clown, jester, fool.

The buffoon is a fool because although he...

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