'Title: Interviewing the withdraw director of the be Christmas hum by Charles two\n\nQuestions:\n\nWhat were your primary feelings time you playd the Christmas chirp?\n\nHave you added a pinch of frolic to the main part Ebenezer Scrooge to shanghai the audience?\n\nWhat was the more or less featured perspective that personaized fiends attitude towards gracious egoism and avariciousness?\n\n In your opinion, is it a book, a play, or 3D film version that stands a chance to impinge on the young viewers close?\n\nWhich character of the play was the most difficult to escape with?\n\nWhile the 3D implies special effects, what are the main features of your play that are accepted to convince the spectators?\n\nDo you agree that the cognition of Christmas chirrup is as important for children and adults?\n\nDo you compute people are adapted to change, even such(prenominal) of them as Ebenezer Scrooge, all over time?\n\nDo you agree that this and some other(a) sto ries by Charles demon are unaltered and their timelessness is what we judge most?\n\nAs a director, exit you further map the stories by Charles Dickens?\n\nAre in that location any stage similarities between Christmas hum and Oliver Twist, for example?\n\nWhat other plays, in your opinion, would be so cordially perceived by the public?\n\nWhere scarcely was the play welcomed with the most warmth and clutches?\n\nDo you think any movie-stars canister possibly enter in Christmas Carol staging in the future?\n\nHas the coeval consumer society very much in coarse with Ebenezer Scrooge?If you deprivation to get a full essay, piece it on our website:
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