Cindy Sherman Essay -- Essays Papers

Cindy ShermanTerror and irony come together in the portraits of Cindy Sherman on display at the Crocker contrivance Museum. Walking into the large, dimly lit ballroom, one may begin to belief a slight sense of trepidation as the viewer looks nigh to find nine sets of beady eyes watching ones every move. Sherman produced her History Portraits during the late eighties and early nineties, nine of which atomic number 18 displayed at the museum. In her portraits she uses lush fabrics, lavish jewelry, and false body part to decorate herself in these self-portraits. Her portraits have been know to cause discomfort in the viewers who find the general stereotypes, depicted in her portraits, amusing, yet misidentify and terrorizing. Shermans Untitled 225 (Blond Woman) triggers those exact emotions.The portrait is a large drear photograph created in 1990. An eighteenth centuryblond, Madonna-like, young lady sits poised with one hand on her exposed artificial breast as if she is n ursing a baby. She is well dressed in a begrimed satin dress, small white beads laced through her braided hair, and a tiara atop her head. Her icy, blue eyes stare off to the left with a harsh, cold expression. With her breast aimed high, spewing fluids, in the same direction as she stares, it is problematical to imagine what is going through her head, however it is clear that it is something of an almost spiteful and unforgiving nature. Possibly, she points her breast toward a man who betrayed her or harass...