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Wednesday, 27 March 2019
Chaucers Canterbury Tales - The Modern and Mediaeval Merchants Tale :: The Merchants Tale
The Modern and Mediaeval Merchants story The Merchants Prologue and Tale is mainly concerned with the infidelity of May while she is unify to Januarie. Infidelity is undoubtedly a popular topic for discussion in modern times and is often the subject of magazine or tv set stories. Despite the concern with marriage and the status of men and women within ofttimes(prenominal) a human relationship keeping the story applicable to the audience even out more than 600 years later, there are many elements of the Prologue and Tale which group them in a mediaeval context. The reasons to marry and the opinions cited show the attitudes of the mediaeval check as do the references to mythological figures such as Ymeneus, that god of union is. Symbolising how the mediaeval and modern aspects of the Tale faecal matter be easy combined is the story of Pluto and Proserpina. Although Pluto captures his wife, she is able to spend much of the year away from Hades. This is symbolic of the gre at liberty that many women can enjoy in the modern world. Opposing this modern link is the relationship between Januarie and May which is shown to have followed mediaeval tradition to a greater extent concerning the actual marriage and the mercantile nature in which it is brought about. preferably than the freedom for Proserpina agreed between herself and Pluto, Januarie desires a wife of warm wex that he can control, ultimately causing May to betray him.Januaries reasons for marrying are seen as improper both in the mediaeval and modern contexts. He wishes to be married simply because he is old and society seems to say that he should. There is no consideration of love, only of lust as he declares, I wol noon oold wyf han in no manere. A mediaeval audience would have been aware that an emphasis on carnal pleasure was displease to God, while this would be less of an issue to a modern audience. As marriage was considered by the mediaeval audience to be an embodiment of Christs culti sm to the Church, the theme of infidelity would be apparent to the modern audience, but without the dry details obvious to the earlier audience. In addition to this, the simple situation that Januaries friends are prepared to find to whom he may be wedded in haste, rather than let Januarie look for himself roots the Tale in a mediaeval context as such an idea is almost unsufferable in the year 2000.
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