Sunday, 14 April 2013

Discuss A Cultural Text In Relation To Representai

Discuss a cultural text in semblance to representation and the unconscious.

Gender, informality and criminality are respectable some of the elements represented in the noir sprout, Double Indemnity (1944) direct by Billy Wilder. The authors patriarchal and psychoanalytical ideological position underlies all representations in this film. This essay go out discuss the film Double Indemnity, and the ways in which it struggles to utilise Freudian structures, such as the Oedipal Complex to reach deeply, and bushel the viewers unconscious. Cultural texts also use more basic techniques such as colour and body actors line to create representations, which access the unconscious, in modulate to impact and deport meaning on a deep, indirect and subtle level.

The film is a thriller, and follows the typical noir genres set of conventions; the exercise of shadow, a femme fetale, pessimism and anxiety, obsession or tension. The plot involves a cleaning lady called Phyllis Deitrichson who lures insurance agent, Walter Neff into her dangerous plan of murder. Phyllis takes out a life insurance policy for her husband, and the two plot his murder; by making it appear that he died falling from a base train, thus allowing them to claim double the insurance money on his life.

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Masculinity is negatively portrayed in this film, as Neff is shown be weak and easily corrupted by Phyllis, the beautiful femme fetale, who uses her sexual prowess to bring Neff to his death and destruction. Semiotic analysis contributes to the misgiving of images constructed and the meanings produced, which, when combined create representations in the film Double Indemnity. The suffice of deconstruction enables us to make sense of the representations depicted in the film. The signifier is an image or word; for example the habitus of Phyllis putting on her lipstick in the mirror, this observation tells us nothing of the...

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