But, as Laurie Adams appears to argue, if art is meant to become a commentary on society, then we ought to be led to feel that there is quite no purer art form. The voice with the graffiti artist cannot be heard from the an air-conditioned art gallery, but over a streets, among true individuals who do not live their lives for art, but in some cases, continue doing so because of it.
Still, the fact remains that graffiti is very misunderstood. While academia seems to get hundreds of ways to interpret traditional art?many of which, Adams covers in her book?these interpretations for your most part, can not be imposed upon graffiti, because it is art without the need of boundaries. This misinterpretation leads towards persecution of this kind of art, and thereby it's not fully appreciated by our society.
Certainly, if we now have learned practically nothing else from Adams' book, we now have learned that much of what we think about being great art today, was misinterpreted at its conception. She tells us of Duchamp's ready-made "Fountain", which was considered by his cont
mporaries to be too vulgar for his unique show. We are reminded of Brancusi's "Bird in Space", which was referred to by US customs officials like a "kitchen utensil" and "hospital supply". Now, the names of these artists are ones that we can barely avoid using in a thorough discussion of current art.
It is apparent by now how the similarities among the art in textbooks just like Art Across Time, and graffiti very do outweigh their differences. Like other art forms that have come ahead of it, graffiti is merely in a stage of growth, wherein it needs to find its path, and carve a niche during the art globe previous to it's known as such, if it so chooses. That is not to sa that the mainstream matriculation of graffiti as an art type is inevitable. The form may possibly go into al altogether several direction that would not warrant or expect recognition within the artistic community at large. That is only to say that, like the jobs that has occur before it, graffiti deserves a second look, and possibly a brand new interpretation all its own.
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