Jerzy Kosinski's "Being There"

Ironically, when he is thrust into the after-school(prenominal) world, run a risk manages to thrive because of his intuitive connection to the garden. Kosinski cleverly utilizes the world-wide metaphor of the garden and growth to enable Chance to m different the imagination of the volume.

In fact, the garden becomes Chance's salvation as he struggles to interact with different people. Kosinski capitalizes on Chance's inability to understand and serve appropriately to people by creating great suspense in the communions. Kosinski heightens the suspense by highlighting Chance's ignorance of the content of the conversation of other people. For example, when Chance is invited to meet with the chairperson, Kosinski illuminates Chance's likelihood of exposure with this passage: "The manpower began a long conversation. Chance understood almost cipher of what they were saying, even though they often looked in his direction" (45). When the President asks Chance for his thoughts, the suspense r apiecees a crisis. However, instead of exposing Chance's inadequacies immediately, Kosinski cleverly uses dialogue to show how Chance manages to resolve the problem. It is evident that Kosinski has chosen the delivery carefully in the President's request for Chance's comment on the stinting mooring: "What do you think virtually the bad succession on The Street?" (45). Although Chance does not know anything about economics, he seizes upon the two words "bad season" to let out ab

out the garden his specialty. by the misinterpretation of the President, Chance is regarded as an extremely intelligent and perceptive person.

Apart from the use of dialogues, Kosinski also creates farcical and vivid scenes by using Chance's novel perspective. The scene in which Chance is solicited by a homosexual man constitutes one of the most humorous scenes in the book. The humor is heightened by Chance's inability to understand the situation.

Kosinski taps into the humor of the scene by depicting Chance's bewilderment and discombobulation in great detail: "To Chance's surprise, the man cupped his own haoma in a hand, groaning and jerking and trembling as he did so. The man was certainly ill. Chance often saw people having fits on TV" (Kosinski 92). Chance's certainty in his misinterpretation of the situation further increases the humor.

Although Kosinski's novel is about a man with few words, dialogues are an integral part of the story because its suspense revolves or so the potential exposure of Chance as a childlike man. Every time Chance speaks, he risks revealing his accepted identity. By using ambivalent language, Kosinski succeeds in showing how a mentally retarded man can hold a conversation with politicians and diplomats. In this hilarious scene, the Soviet Ambassador comments that Chance should interact more frequently with him: ""?shouldn't we, the diplomats, and you, the businessmen, get together more often? We are not so far from each other, nor so far"" (Kosinski 74). Failing to understand the implications of the Soviet Ambassador's st
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