The Female Writer

Secondly, she claimed that these material circumstances had a profound effect on the psychological aspects of writing, and that they could be seen to bode out the nature of the creative work itself (Barrett 5).

The source is non an abstraction but a real person who must extend to a living in this world, and therefore material conditions argon important. Material conditions muckle be influenced by writing--the writer who can make a living has those conditions affected--and a failure to countenance the necessary material conditions can prevent a writer from writing or force her to marry and commit herself to a domestic invigoration as a way of surviving.

Woolf raise this issue again and again in her criticism, as when she discusses both muliebrity writers--Emily Davies and Lady Augusta Stanley--in her essay "Two Women":

Up to the beginning of the nineteenth century the distinguished charr had around invariably been an aristocrat. It was the great lady who ruled and wrote letters and influenced the play of politics. From the huge middle class few women rose to eminence, nor has the homeliness of their lot received the attention which has been bestowed upon the splendors of the great and the miseries of the poor (Woolf, The secondment and Other Essays 197).

One of the most expressive pieces of fiction to carry on the issue of the place of the female artist in a society that generally represses woman is the short humbug "The yellowish Wallpaper"

Gilman has created a story that goes beyond the immediate in several ways. On unmatched level, the story is a depiction of the deterioration of the mind of the wizard as she lies in her deal and stares at the yellow cover that surrounds her. On another level, the story of this one woman is mean to represent the plight of women in the marriage state of the time, and the woman imprisoned in the wallpaper is the woman imprisoned in marriage, unable to express herself, and feeling more and more the claustrophobia of marriage. This woman cannot express herself outside of marriage because she is completely unfree on her maintain for her financial well-being, and he treats her as a dependent in every way.

by Charlotte Perkins Gilman, and the relationship among the fill for artistic expression and the ability to support oneself is evident here. The relay station is a woman who has been confined to bed after bad birth and who feels more and more imprisoned by her life, beholding her husband and his sister as her jailers, and identifying with the yellow wallpaper in which she sees a vision she only slowly comes to see as a vision of herself and her existence. The story has added power derived from the relationship between the protagonist and the author, who experienced similar revelations about her own life and who also found herself tested psychologically by her situation.

Woolf, Virginia. A Room of One's Own. New York: Harcourt Brace Jovanovich, 1981.

At last, the protagonist separate off the wallpaper, seeing it as a symbol of her imprisonment, and she tells her husband she has done so in order to prevent him from place her back behind the wallpaper. She has escaped, but she has done so not physically but mentally, fleeing the prison of marriage and confinement to bed and creeping about the room again and again. The struggle of the figure behind the wallpaper is her struggle, a projection of her own fears and concerns into the pulseless wallpape
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