Dada was a cultural movement provoked by the horrors of World War I that drastically sortd the way in which we perceive art itself, Dadaists sought to expose society to pertly ways of seeing and thus by changing visuality, they could change the bourgiouse culture that had destroyed much of Europe and if not direct effected, influenced the rest of the world. The effect on the visual was not to do with artistic skill, the essential brushstrokes of the impressionists could not be found at Cabaret Voltaire, what could be found behind the artworks produced between 1916 and 1922 were pieces of art, literature, music, and poem that made the people think, it demanded an alteration of the preconceived notions of seeing and appreciating the techniques and mediums of art, to hotshot that reflected relevant historical, social and economical contexts of the time in which they were living. That is not to say that the artists adopted a docile and subtle set about to do so, generally they sought an emotional response of electric shock or rage to provoke the mind into consideration and thinking.
thither were many influential artists who contributed to the Dadaist movement, often referred to as nihilists, and each wholeness differed slightly on what they aimed to achieve and the mediums that they used. This was generally open on the geographical locations of the artists, in Berlin photomontage was adopted by many as the Weimar Republic was formed, while Zurich and New York used other mediums dependent on the artist. Drawing on three central figures from Dada, wave Duchamp, Francis Picabia and Hannah Höch, one can see that the works produced, although highly different in meaning, notions of their epoch through the act of assaulting art to produce anti-art as a means to...If you want to cast down a full essay, order it on our website: Ordercustompaper.com
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